Bobby Liebling from Pentagram and myself in the Ridley Park 711 a few days after I returned from Austin (hence the beer weight which is now gone haha). Very odd to run into the man behind Pentagram and star of the newly released documentary, "Last Days Here".
Two of my personal favorite Pentagram songs.
Mostly I happen to be looking forward to Repulsion out of all these incredible bands. Being one of my favorite grind bands of all time in a sea of blast beats and Celtic Frost breakdowns, lies this filthy yet wonderful record called, "Horrified". Repulsion to me is a prime fucking example of a band breaking new ground, then vanishing not knowing how strong their influence really was on the scene. That was until the minds at Relapse Records, and a gigantic amount of praise thru the pages of Decibel Magazine's Albert Mudrain (my boss when I was an intern at Decibel Magazine) Choosing Death: The Improbable History Of Death Metal & Grindcore.
I love Repulsion-Horrified hell I like it more than Napalm Death-Scum when it comes to early Fuzzy as fuck bass riffs and who could blast fastest. Napalm Death had the message and the politics to back up their anger, where Repulsion was singing about Festering Boils, and Stabbing women walking thru the park at night. Extreme music yields extreme results.... or an over done piece of shit ball jocking waste of nine bullshit tracks from some band that was once pretty amazing, then is approached by a bigger but still not major label and down goes the ship. Like some drunk fisherman's lost boat in a fierce rain storm, some bands sink and are forgotten, while others still sit intact at the bottom of the ocean that is the record business like the fucking Titanic waiting to be re-exposed to the world in all of their rotten glory. Repulsion did just that.
As is Dead In The Dirt whom I will be headbanging hard as fuck for. So here are some tunes from the bands, I suggest going to this and don't forget those ear plugs.
Also here is the photo of the day:
Dan Murphy with a huge frontside 180 ollie. 2004.
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